Aspiring writers often email me seeking advice on their journey to publication. I decided I ought to share the advice I give on my blog so that others might see it as well.
Today’s question goes something like this:
I’ve just finished my novel. What should I do before submitting it to an agent? Should I hire a professional proofreader to edit it? Also, do you have advice for me on how to find an agent? Any tips on writing a good query letter?
Disclaimer: I only submitted to one agent, and she offered me representation. We’re still together, and very happily so, at least from my perspective. (I can only speak for myself.) We’re still crazy after all these years. 🙂 So my advice on finding an agent comes more from years in this industry than from personal experience. It also comes from from countless conversations with other writers, and with many agents I’m fortunate to call friends. Each might have their own unique twist on these questions, so I make no claim of providing the last, definitive word on the subject. My advice, such as it is, is below, and I think it’s pretty sound. It’s free, at any rate. Here’s my letter in response to those questions.
think proofreading is what’s needed next. Proofreading suggests to my mind a cleanupof spelling, commas, accidental word choices, and the occasional run-on. That’s not what should come next, and it’s not even what an agent will really care about. Agents are entirely looking for original voices, strong characters, and compelling storytelling. If that’s not there, perfect spelling and grammar won’t help you; if voice/character/story are strong, bad spelling and grammar won’t be a serious issue. (All the same, it’s good to write cleanly if you can, as it looks somewhat sophomoric to have a manuscript that’s studded with errors.)
reader/writer/critiquer. Feedback from a strong critical reader who reads a great deal and can articulate for you what’s working and not working in your draft is an essential next step in the process of moving toward publication. I’m pretty sure that no one’s first novel, in its virgin state, is ready to be shopped around. Librarians, teachers, and serious, committed aspiring writers are all good sources of critique. Someone with a creative writing MFA will be experienced in the process of giving expert critiques. I strongly urge you to take this step next. Perhaps you can trade critiques, and offer them constructive feedback on their work in progress. That process will teach you more than you might imagine about how to spot the weaknesses in a working manuscript.
for _age group_ readers. Combining the humor of _funny book_ with the twists and turns of _exciting book_ [make your own best comparisons], the book tells the story of _character_, an _age_ year old boy/girl with _quirky/special trait/power_ who lives in a _setting_ and faces _problem_ in her pursuit of _goal._ I’ve enclosed the first two chapters, coming in at _page count_ pages. The finished novel is _words long._ [New paragraph.] I work in _my career and/or industry_ and I hold a degree in _relevant major field_ from _school_. My interest in _subject matter_ stems from my _personal experience with subject matter_ [I breed llamas or whatever]. I can be reached at _my contact info_. Warmly, My Name.”
consider smart feedback on overall story and structure elements. You’ll be glad you did.
Cheers,
Julie Berry